I ain’t no rapper and I ain’t no trapper; buckets
       
     
Agony and the Thrill
       
     
Double Dutch Through Hates Clutch
       
     
Ball isn’t life
       
     
Pigs at Play
       
     
New Africa
       
     
Buckshot
       
     
Gator Belts and Patty Melts, Acrylic on Canvas, 22 x 28”, 2020
       
     
Black Is
       
     
Malcolm Had Feelings Too
       
     
 Installation view
       
     
 Installation view
       
     
 I ain’t no rapper and I ain’t no trapper; buckets
       
     
I ain’t no rapper and I ain’t no trapper; buckets

Acrylic on Archival Paper, 40x64”, 2019

Agony and the Thrill
       
     
Agony and the Thrill

Acrylic on Archival Paper, 40 x 64”, 2019

Double Dutch Through Hates Clutch
       
     
Double Dutch Through Hates Clutch

Acrylic on Archival Paper, 40 x 64”, 2019

Ball isn’t life
       
     
Ball isn’t life

Acrylic on Canvas, 58 x 69”

Pigs at Play
       
     
Pigs at Play

Acrylic on Canvas, 65 x 70”, 2020

New Africa
       
     
New Africa

Acrylic on Canvas, 22 x 28” , 2020

Buckshot
       
     
Buckshot

Acrylic on Canvas, 54 x 94”, 2020

Gator Belts and Patty Melts, Acrylic on Canvas, 22 x 28”, 2020
       
     
Gator Belts and Patty Melts, Acrylic on Canvas, 22 x 28”, 2020

Alvin Armstrong’s voice is new to the painting landscape. A purveyor of the world around him and his lived experience, these paintings embody the full spectrum of blackness - the pain, the fight, the excellence. His works vary in size and techniques with canvas works towering close to 6ft by 8ft to framed diptych paintings on paper. The subjects in these paintings are real, culled from Alvin’s exchanges with friends, his community and archival source materials. These snapshots of black life are not coincidental, as seen in his portrayal of Myrtis Dightman, hall of fame bull rider from the 1960’s who was at the top of his craft, to a game of pick up basketball on a local community court. His palette is exuberant and often washed in golden, red and coral filled skies with figures tethered to the moment, allowing for pragmatic individuality as seen above in Gator Belts and Patty Melts.

Alvin paints instinctively in order to emotionally interrogate the narratives that inform the black experience. The exhibition pillar Malcolm Had Feelings Too, was painted in direct response to police brutality, and is a series of 32 paintings completed rapidly over 16 days from June 19 to July 4 of Malcolm X, a seminal leader in the civil rights movement, minister and supporter of black nationalism. On closer inspection, the viewer will see that every painted Malcolm is completely different. Collectively these paintings reject the brutalization of the black body and pay homage to the black men who have been killed by police sanctioned violence since 2015. Individually, they remind us to pay attention to the details that are often overlooked.

Exhibition is on view from September 11-30th, 457 Carroll Street, Brooklyn, NY 11215 from Wednesday -Saturday, 12-5pm by appointment. Please email hello@mediumtingsbk.com

Black Is
       
     
Black Is

Acrylic on Canvas, 11 x 9.5 ft, 2020

Malcolm Had Feelings Too
       
     
Malcolm Had Feelings Too

Acrylic on Canvas, 32 paintings (22x 28” each), 2020

 Installation view
       
     

Installation view

 Installation view
       
     

Installation view